Posts Tagged ‘writing’

The Gift – a writer’s extra

February 10, 2008

Just an FYI. Every day, even if I don’t post, I try to put up a gift of some kind. This new group “a writer’s extra” has evolved. I put these up in addition to the regular gifts. Whenever I come across something of interest to writer’s – web pages, books, blogs, whatever – I post them as extra gifts.

I’ve been mentioning blogs of various writers. There is one I have to mention, Anastasia Suen’s blog and website. It is a wealth of information on the writing business, including information on editors, other authors, agents. etc. She is the author of 106 books, a children’s literature consultant, former elementary school teacher, and writing workshop instructor. Her blog also has a gold mine of “author blogs” listed under alphabetical headings. If you’re looking for an author blog, chances are, she might have it. She also has two of her own blogs. Everything can be accessed at Anastasia Suen’s Blog Central.

The Gift

February 6, 2008

An interesting interview with an agent:

Cynthia Leitich Smith, author of fiction for young readers and a faculty member at the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults offers an interview with agent Emily Van Beek of Pippin Properties on her blog:
<<http://cynthialeitichsmith.blogspot.com/2008/02/agent-interview-emily-van-beek-of.html>>

Some tidbits from the article to give a taste of the whole:

“At Pippin the bar is set high. We strive to live and work by the following philosophy:

–The world owes you nothing. You owe the world your best work. And this can be painful at times (especially when it means telling a writer that their work isn’t there yet, that a particular story isn’t ready for submission, that s/he needs to try again). Even the best of the best need to write and rewrite.”

In response to the question: What do you look for in a prospective client?

“We look for passion and dedication. We look for a writer who is willing to work really hard. Someone who can keep the goal in sight when we ask for the eighth revision. We are looking for ingenuity. We’re looking for voices that stay with us.”

The Post – As Promised, What Photography Teaches You About Writing

February 6, 2008

As I mentioned earlier, photographing fiddler crabs helped me to “be one with them.” Armed with the heart of a crab, maybe I can get that across in the book.

In a broader sense, there are some similarities between the arts of photography and writing:

1) Narrow the topic:

The viewfinder of a camera sets the limits on how much you can fit in the picture. A photo is a one-moment slice of an event. You can’t show everything, so you have to choose. What will you focus on?

Good writing, especially essays and short pieces, needs limits too. Start with too broad a topic and the piece runs too long, lacks focus and depth, and leaves the reader wondering it’s about. You can’t say everything, so you have to choose what you will say. Choose a specific slant and give the reader depth for that one topic.

2) Composition – Create the Scene:

Part of the art in a good photograph is its composition. What did you include and why? How did you choose to portray it? What angle was it shot from? Lighting? Shadows? Contrast?

In a good story, “show don’t tell” is done with scenes. You’re the director. How will you set it up? Who will be in it and who will be left out? Why? What will they say and do? What are they holding? Wearing? Where are they? Is it frigid or tropical? Are they scared or serene?

3) Detail is the life of the creation:

The camera’s eye doesn’t miss much and often sees more details than the photographer did when taking the shot. The details that show up in the picture bring it alive, especially in things like still life and macro photography. The details ARE the photo.

In writing, specifics are the spice that creates the picture. Something doesn’t smell good, it has a licorice herbal aroma that wafts through the sunlit cottage and makes you salivate with anticipation. Something doesn’t feel rough and hurt you, it has a gritty surface that grinds against the tender flesh of your palm until it strips the skin raw and bloody. Specifics create the image.

4) Deliver the vision:

You can see the image you want in your mind’s eye, but if you can’t work the camera, all you’ll get is a dark blur. Master the technology.

The most amazing story may run through your mind. Yet if what appears on paper lacks organization, moves too slowly, leaves out needed plot points, has poor sentence structure, bloated dialogue, or no sensory details, no one will get it. Master your craft.

5) Know what you want to say:

A photograph may be wordless, but it will still speak to the viewer if the photographer knows what he’s looking for.

In writing, you may have a 500-page novel but you still need to be able to sum it up in a line or two. If you can’t do that, you don’t know what your story is about.

In the future, 10 or so things an oil painting taught me about the writing process. Stay tuned.

The Post – There really IS a deeper process at work here

January 29, 2008

Some lighter fare on tap in the next few days…photos of Admiral Byrd waving his claw, Scarlett O’Hara and her molted ghost self, and . . . even the ever reclusive Melanie Hamilton! Finally caught her sitting on her “front porch” – ie the open hole in the Live Rock – at 6:30 this morning. Stay tuned.

For today: So does staring into a tank of fiddler crabs, never mind shooting photographs of them at 6:30 in the morning, REALLY have anything to do with writing?

The answer? It all depends. You mean you wanted a definite answer? Here’s a clue – Mindfulness and heart. Still confused?

Simply said, it’s what you bring to the situation. You can sit there and stare at them and your mind could be on the bills, what you’re going to buy at the grocery store, what you could be doing instead of sitting in front of a tank of crabs. You could sit there and nod, “Yup, they’re crabs. Eyestalks. Sideways walk. They all look alike. So what?”

Or you can sit there and notice that Melanie Hamilton has much tinier front claws than Scarlett O’Hara. That she is timid and almost never comes out of her crevice in the live rock…except early in the morning when the sunlight streams into the kitchen and hits that side of the tank. She loves to sit in the sunlight on her front porch. Or that Scarlett O’Hara, who normally never stops eating and never hides out, suddenly after molting has stopped eating and has refused to move from under the water filter. Or that Admiral Byrd, normally fearless, crawled into his tunnel cave after discovering Peter Lorre’s lifeless body and started twitching and wouldn’t eat.

The difference is how you watch. Are you fully present? And did you bring your heart? The heart makes all the difference.

I am taking an online spirituality course with some friends, studying the writings of Thich Nhat Hanh (pronouced Tick Naught Han). He is an 80-year-old Vietnamese monk who endured the horrors of the Vietnam War, came to America to try and stop it, and was deemed a threat by both the Communist and non-Communist regimes in Vietnam. While searching for peace, he found himself everybody’s enemy. He was nominated for the Nobel Peace Prize by Dr. Martin Luther King, Jr. for his efforts to stop the war, and in his later years one of his many healing works has been to heal the souls of former American servicemen haunted by that war. Having lost close personal friends to that war, he has every reason to hate Americans. Instead he’s spent half his life healing people around the world, including Americans.

He tells a story in one of his books about a young man who wanted to learn to draw lotus flowers. So he went to a master to apprentice with him. The master took him to the lotus pond and left him sitting there for 10 days. Can you imagine in today’s busy world, signing up for lessons to learn something quickly, only to be left sitting at a pond for 10 days?

The real essence was what the young man did with that time. He could have gotten impatient (something I know a lot about), and grumbled, sighed, walked away, went shopping, took a nap, try to do something USEFUL with that time instead of just sitting there. Instead for the whole time, he watched the flowers bloom when the sun was high. He watched them close into buds at night. He watched one flower wilt and drop its petals into the water, then studied the stalk, the stamen and the rest of the flower.

On the 11th day the master returned and brought him a brush to paint with. Although his picture showed his naivete of technique, a childish style, the lotus he painted was beautiful. Deep beauty shone from the painting. He had become the lotus and as such, even with poor technique, he could paint something that moved another’s heart.

Mindfulness and heart. He paid attention to the lotus. He worked from his heart. Writing, really good writing that moves people’s souls, comes from the heart, not the brain. You can write a technically beautiful book but without heart it’s a sterile desert emotionally.

I started out watching fiddler crabs not sure what to expect. I certainly didn’t expect them to have personalities and subtle differences in appearance and actions. And I most certainly didn’t expect to feel such upset as I watched Peter Lorre tumble off his rock, dead.

With any luck, at least a little part of me has become the crab. With just a little more luck, maybe that crab heart will come through in my book. I’d trade a whole bunch of technical expertise for just a handful of heart.

By the way, if of interest to read a good summary of Thich Nhat Hanh’s life, check out this link at Parallax Press.

http://www.parallax.org/about_tnh.html

The Gift – a writer’s extra

January 29, 2008

For any writers who want to play, I learned of this new virtual writing site. The author describes it this way:

“Flip through the Flash Fictions, read the papers scattered on my
desktop, play vocabulary solitaire and fill someone’s rice bowl at the
same time, add your comments about a 21st century spell on our
adolescents, and look for the squirrels that hide random things in the
walls.”
http://rhombusroom.net